Fremantle
Fremantle is a leading global creator, producer and distributor of some of the world’s most successful content across Entertainment, Drama & Film, and Documentaries.
Amplifying local stories on a global scale, Fremantle produces and delivers premium, multi-genre IP across the 27 territories it operates in. Fremantle is a proudly independent group of content creators, and home to some of the biggest entertainment formats, compelling international dramas, award-winning films and high-quality documentaries.
From Got Talent to Sullivan’s Crossing, Family Feud to Poor Things, Fellow Travelers to Queens, Too Hot To Handle to Big Mood, Maxton Hall to Idols, and Queer to The Zelensky Story, our focus is simple – Fremantle creates and delivers irresistible entertainment.
Fremantle also represents world-leading digital and branded entertainment, with more than 550 million fans and 360 billion views for its standout content across all platforms. Fremantle’s Global Channels unit consists of more than 20 FAST channels worldwide, including BUZZR, RIG TV, and Baywatch.
Fremantle is part of RTL Group, a global leader across broadcast, streaming, content and digital, itself a division of the international media, services, and education company Bertelsmann.
For more information, please visit www.fremantle.com, follow Fremantle on Twitter @FremantleHQ and Instagram @fremantle or visit Fremantle’s LinkedIn page.
Fremantle’s London TV Screenings slate mixes Catherine Zeta-Jones drama, a Baywatch reimagining for Fox and music documentaries on Michael Jackson and Paul McCartney. Jens Richter says the company is balancing star power, proven IP and formatted entertainment for the international market.
Fremantle arrives at this year’s London TV Screenings with a slate designed to address the current market’s competing demands for established intellectual property and original storytelling. Jens Richter, CEO of commercial and international at the production and distribution company, characterises the approach simply as “entertaining the buyers with amazing stuff and great shows,” though the line-up itself reveals a strategic balancing of prestige drama, recognisable brands and format-driven unscripted content.
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